"the mezzanine" wurde übrigens von vic chesnutt produziert.
harp schrieb im juni 06 u.a.: "Durrett has created an album for the nighttime. The graceful, lullabylike quality of “Marlene” and the peaceful, atmospheric “Little Ascendant” could cajole crying babies to deep slumber while the grating chord phrasings on “Knives at the Wall” and the unsettling guitar loops in “Spokes” provoke like nightmares. Durrett straddles the fence between safe and hazardous with penetrating results."
Keine Kommentare:
Kommentar veröffentlichen